Translations from Silence

Clifton Ross
with an introduction by Jack Hirshcman


“Clif Ross is among the most highly respected activists of the Left Coast… His own poetry, a generation of works, is here warmly presented in the context of a maturation of tone and voice that is quietly remarkable--and very much like himself. Ross is a fusion of a lyric realism and the power of metaphor. His voice isn't of the plosive kind. He writes an organic lyric, resisting any attempt on the part of the "Poet" in himself to overcome himself by a kind of verbal oblivion. His poems are expressions of his determination that friendship triumphs through beautiful communications that make one feel solidarity without feeling one's being indoctrinated or recruited.”
Jack Hirschman
Poet Laureate of San Francisco
from the introduction to the English edition.

Related items:

Image and Imagination

Ben Clarke, Editor; Photographer, Dorothea Lange

Writer-in-residence at the Oakland Museum of California and the Oakland Public Library, Ben Clarke, re-examines Dorothea Lange's photographs along with collaborating artists including: A.K. Black, Scott Braley, Lucha Corpi, Kitty Costello, Maketa Groves, Richard Oyama, Margot Pepper, Eric Robertson, Clifton Ross, Abena Songbird, and Rhett Stuart. Using poetry, personal essay, rap and contemporary photography the artists explore the intersection between Lange's documentary photography and current realities.

Related items:

Stories from El Barrio

Piri Thomas

Piri Thomas, who reached millions of readers with his bestselling autobiography, Down These Mean Streets, now gives readers of all ages a vivid slice of the life in El Barrio—a place where people face their problems with energy, ingenuity and love. He draws vivid stories from his past experiences and makes us feel what it means to be poor and proud and generous; to be streetwise and full of bravado but frightened, too; to struggle to go straight; to be ashamed of being ashamed; to dream. Speaking in the voice of the streets and from his heart, Piri captures the spirit, the laughter and the hope of his people.

Reviews
“Stories From El Barrio is a crystal clear reflection of the general facet of Piri Thomas’s literary power. It is tender, powerfully compassionate, humanely provocative.”
Claude Brown, author of Manchild in the Promised Land

Related items:

Through the Wall: A Year in Havana

Margot Pepper

Margot Pepper's memoir propels us through the blockade to post-cold war Cuba. It's a surreal world where high-ranking officials are required to pick up hitch-hikers. Root canals, cosmetic surgery and graduate school are free, but toilet paper is exorbitant. There's no income tax nor homelessness, yet no house-paint either. As the story unfolds, Margot pursues a passionate love affair with a penniless Mexican poet who shakes up her views about Cuba.

Related items:

Back to the Streets

George Wynn

In Back to the Streets, George Wynn tells stories of a nation’s poor. Bracing, realistic, archetypal, with a steady-handed objectivity, the writing follows the way cut by Dos Passos and Steinbeck. The vivid sketches gathered in this collection offer glimpses of lives led inside the 21st century Depression.
“George Wynn writes with toughness, sympathy, and great humor about difficult things and dire situations, and wonderfully about the redeeming qualities of literature and human kindness. He makes invisible people visible, and throws light in the darkest of places.”
Elizabeth McCracken
Author of The Giant's House
Related items:

Constitutions and Coups: The Honduras Case

Clifton Ross

Even in the best of times a coup in Honduras wouldn’t get much coverage in the U.S. since most North Americans couldn’t find the country on a map and, moreover, would think they have no reason to do so. Nevertheless, those in the U.S. who have been alert to the changes in Latin America over the past decade and almost everyone south of the border know that the coup d’etat (or “golpe de estado”) against President Manuel Zelaya has profound implications for the region and, in fact, all of Latin America. While the US press will glance from their intent gaze at reruns and specials on Michael Jackson and Farah Fawcett only long enough to report on President Obama’s reaction to the coup, Latin Americans will keep their eyes on the governments of the region as well as the social movements in Honduras as they search for a key to how the whole affair will turn out. As President Rafael Correa said in the Extraordinary Summit of  ALBA (Bolivarian Alternative for the Americas) in Nicaragua on the evening after the early morning coup, “this is not just a coup against the people of Honduras, but one directed against the democracies of the peoples of Latin America.”

Related items:

American-Style Democracy Wins in Iran

Clifton Ross

The End of History: Part Two
Or, The Victory of American-Style Democracy in Mexico, Nicaragua and Iran


The poor, benighted left and Latin American Solidarity movement in the U.S. throughout the 1980s found it impossible to decipher the highly-sophisticated language of empire in its “B-Movie” phase under the senile actor from Hollywood, Ronald Reagan. Those who were alive and conscious in those years as History approached its End were told that the mercenary wars and official repression of the day in Central America, Afghanistan, Iran and elsewhere were simply aimed at “stopping the spread of Communism” and bringing about “American-Style democracy” (ASD)

Related items:

The Crisis in Bolivia: Cleaning Up the Bull Ring

Clifton Ross

September 19, 2008

The bull, among the Persian Zoroastrians as well as the Huichol people of Mexico, represents the sun which comes to earth and bleeds to give life to the earth. This powerful creature is a symbol, therefore, of divine power which is willing to bleed for the good of humanity and all life. In Hispanic (meaning, Spanish and Spanish (speaking) America) the running of the bulls is an exciting and dangerous festival where the Anglo game of Chicken takes on the bulk of a mighty mammal with horns and mighty power. In some places, like rural Ecuador, it’s usually a game of young men with too much testosterone jumping in a makeshift bullring with a puzzled bull and antagonizing it until it charges. The bull usually has something tied to its back – it might also be just a rope girding the bull -- and the young man daring, stealthy or stupid enough to untie the knot wins a prize. In the stands are hordes of spectators, all secretly hoping the bull will gore someone and they may even witness a death as they eat fried fava beans or peanuts and swill their favorite drinks. The game never stops as one bull follows another and the young men do their best to get its attention for just enough time to be pursued just so far. Virtually no one ever unties the knot and wins a prize since most of the young men who were driven into the ring by testosterone, flee it just as quickly in a rush of adrenaline when the bull charges.

Related items:

Calla Lily

Eric Robertson
Calla Lily

March 1, 2009

 Calla Lilies line one side of our house. They came out all at once in the last couple of weeks. The rain we didn't get in January has come in February. Though we seem to have gotten a lot of rain lately, reservoirs are not back to "normal", and we are still considered in a drought. Not a bad state to be in, if it gets people to conserve water. Seems like a good practice at all times.

Related items:

Orange Tree

Eric Robertson
Orange Tree

February 28, 2009

 The orange tree in our back yard is heavy with fruit. It seems to give two big crops a year, now, in late February and again at the end of May. (Strange that they aren't evenly spaced.) The fruit is delicious. When fully ripe the oranges are more sweet than acidic. The segments are thin skinned and don't hold together well, so if I eat one I usually peel part of it and eat it like an apple. Otherwise, I juice them. The fruits have looked ripe since mid-January, but they are just now ready. 

Related items:
Syndicate content